Eternal Sunshine of the Spotless Mind proved to be a modest financial success and several critics have regarded it as the most effective movies of the 21st century. 32nd century for the remainder of its run. After Little Children, Winslet performed an element she discovered extra sympathetic in Nancy Meyers’s romantic comedy The Holiday. Finally, over the rim of the ready earth the moon lifted with slow majesty until it swung clear of the horizon and rode off, free of moorings; and as soon as more they began to see surfaces-meadows vast-spread, and quiet gardens, and the river itself from financial institution to financial institution, all softly disclosed, all washed clear of thriller and terror, all radiant again as by day, however with a difference that was large. It became her biggest industrial success in 9 years, grossing over $205 million worldwide. For the movie’s soundtrack she recorded “What If”, which proved to be a commercial hit. She found it within the science fiction romance Eternal Sunshine of the Spotless Mind (2004) during which she played Clementine, a neurotic and impetuous woman who decides to erase reminiscences of her ex-boyfriend (performed by Jim Carrey).

Gondry encouraged Winslet and Carrey to improvise on set, and to keep herself agile she practised kickboxing. To keep away from typecasting in historic dramas, Winslet actively sought roles in contemporary-set films. 1999) featured Winslet as an Australian lady who joins an Indian religious cult. She learnt to speak with an Australian accent and labored closely with Campion to justify her character’s vileness. Despite her reluctance to star in another interval piece, Winslet agreed to the mission after empathising together with her character’s love for the youngsters. Winslet was challenged by the position of an uncaring mother, as she did neither perceive nor respect her character’s actions. Within three months of giving delivery to her second baby, Winslet returned to work on Romance & Cigarettes, a musical romantic comedy directed by John Turturro, through which she performed Tula, a promiscuous and foulmouthed woman. She acquired a Primetime Emmy Award for Outstanding Guest Actress in a Comedy Series nomination. In 2005, Winslet took on a guest function in an episode of the British comedy sitcom Extras, starring Ricky Gervais and Stephen Merchant. The biopic Iris (2001) featured Winslet and Judi Dench because the novelist Iris Murdoch at different ages.

Winslet’s third movie release of 2001 was the animated movie Christmas Carol: The Movie, primarily based on Charles Dickens’ novel. She played Iris, a Briton who temporarily exchanges properties with an American (performed by Cameron Diaz) through the Christmas vacation season. She obtained her third Oscar nomination for Iris, in addition to BAFTA and Golden Globe nominations for Best Supporting Actress. She obtained a SAG Award nomination for Best Supporting Actress. Once again, she received BAFTA Award and Academy Award nominations for Best Actress; the latter making her, at 31, the youngest performer to accrue 5 Oscar nominations. Winslet considers it to be a favorite among her roles, and she acquired Best Actress nominations at the Oscar and BAFTA award ceremonies. Winslet had four film releases in 2006. She first appeared in All of the King’s Men, a political thriller set in 1940s Louisiana, that includes Sean Penn and Jude Law. Fuller was initially set as showrunner however left resulting from artistic differences with CBS. The undertaking was filmed over 4 weeks and allowed Winslet to deliver her daughter, who was six months outdated on the time, on set. Hailing her because the “most daring actress working at present”, James Greenberg of Los Angeles journal praised Winslet for “continuing to explore the bounds of sexual liberation”.

Scenes requiring her to be hostile in the direction of the child actress who performed her daughter proved upsetting for her. Based on the novel of the identical name, the film tells the story of Sarah Pierce, an unhappy housewife who has an affair with a married neighbour (played by Patrick Wilson). Winslet’s character was vastly expanded from a subsidiary love-curiosity in the novel it was based on to a prominent code-breaker in the film. Critic Justin Chang discovered the film formulaic yet pleasing, and took be aware of Winslet’s radiance and charm. Ella Taylor of LA Weekly discovered her to be “radiant and earthy as ever”, and CNN’s Paul Clinton thought she was “distinctive in a delicate and finely tuned performance”. A journalist for Premiere journal commended her for abandoning her “corseted English rose persona”, and ranked it as the 81st biggest film efficiency of all-time. She has said the film marked a turning point in her profession and prompted directors to offer her a wide number of parts. Derek Elley of Variety wrote that despite her limited display time, Winslet had “the showiest role and filthiest one-liners”.